Timothy ROBERTS organiste, Musique d'orgue

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Vendredi 27 Décembre
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Organiste (prénom NOM)			Titre du disque
Compositeur (NOM) Oeuvre			Lieu / Eglise
CD DVD Vinyle			Editeur

6 disques

1 - Timothy ROBERTS

• Keyboard Music, Vol. 3 •

J. Cabanilles : Tiento No. 57 de primero tono a modo de Italia; Tiento No. 107 partido de mano derecha, de sesto tono; Tiento No. 89 partido de mano derecha de batalla, de ocho tono; Tiento No. 40 partido de mano izquierda, de tercero tono; 12 versos de primero tono n° 42, 49, 43, 50, 45, 51, 46, 53, 47, 52, 48, 57; Tiento No. 59 partido de dos tiples, de secondo tono por G sol; Tiento No. 26 lleno, de primero tono [2]; Diferencias de Folías de primero tono [2]; Tiento No. 30 lleno, de primero tono [3]; Tiento No. 81 partido de dos tiples, de cuarto tono [3]

- Vila-real Basilica Saint Jaume [1], Clavecin [2], Banyalbufar [3]
- Disque Toccataclassics;, Mai 2017 [1], 17 nov. 2015 [2], 7 août 2004 [3], vol. 3 (682)

[1] Vila-real organ 1724 Nicolás Salanova (1681–1750), G. Grenzing 2010
[2]Harpsichord No. R33 in seventeenth-century Flemish style by Michael Johnson
[3]Anonymous seventeenth-century organ, Banyalbufar, Mallorca

2 - Timothy ROBERTS

• Keyboard Music, Vol. 1 •

J. Cabanilles : 11 Pièces

- Vila-real Basilica Saint Jaume
- Disque Toccataclassics;, Avril 2016, 2CDs (654)

orgue (1723) Basilica Saint Jaume, Vila-real (Es).

***

Tocata I de primero tono [2:22]
Pasacalles II de primero tono [5:05]
Tocata IV de quinto tono [2:36]
Tiento XII de falsas de 4° tono [4:33]
Tiento XXXI partido de mano derecha de 1° tono [6:47]
Tiento LXXXII lleno, por Bequadrado de quinto tono [8:06]
Tiento IX partido de mano derecha de 2° tono [7:29]
Tocata II de mano izquierda 5° tono [2:53]
Tiento LXIII de contras de 4° tono [10:56]
Tiento LV lleno, de 1° tono [5:33]
Tiento XIV partido de dos tiples, de cuarto tono [8:21]

3 - Timothy ROBERTS

J. Worgan : 15 Organ Pieces

- Londres St Botolph without Aldgate
- Disque Toccataclassics;, 28 juillet & 8 octobre 2015 , Charlene Canty soprano, Andrey Nemzer contretenor (653)

The Complete Organ Music (all published c.1795)
Organ Piece No. 8 in G major [5:36]
Organ Piece No. 4 in B flat major [2:07]
Organ Piece No. 5 in G minor [4:05]
Organ Piece No. 10 in F major [4:27]
Organ Piece No. 11 in C major [3:57]
Organ Piece No. 13 in G major [5:20]
Organ Piece No. 1 in A major [4:04]
Organ Piece No. 6 in C minor [3:04]
Organ Piece No. 9 in C major [3:33]
Organ Piece No. 7 in F major [5:26]
Organ Piece No. 12 in D minor [4:22]
Organ Piece No. 3 in F major [3:17]
Organ Piece No. 14 in C major [5:54]
Organ Piece No. 15 in A major [4:56]
Organ Piece No. 2 in F major [5:18]

The text states that the organ dates from around the turn of the eighteenth century and was originally built by Renatus Harris. In 1744 it was stored whilst George Dance’s (the Elder) new church was built on the site. The instrument was restored successively by John Byfield the Elder, Hill in 1866, Bishop in 1898 and latterly by Mander in 1966, where many of the accretions of the Victorian organ builders were removed. In 2006 the organ was commissioned after restoration to as near its original specification as possible by Goetze and Gwynn, but clearly allowing for contemporary liturgical use.

4 - Timothy ROBERTS

• John Blow and his pupils •

J. Blow : A Hymn ; Praise to Our God Proclaim (The Divine Companion, 1701), Voluntary in G (No. 10)* , Cornet Voluntary in G (No. 29) , Voluntary in D minor (No. 6) , Voluntary in C (No. 1), Voluntary in A minor (No. 23) , Double Voluntary in C (No. 24), Voluntary in D minor (No. 8), Voluntary in D (No. 5b) , Voluntary in G minor (No. 17) , Voluntary in D minor (No. 7), Voluntary in G (No. 16), Double Voluntary in D minor (No. 27)

J. Clarke : An Evening Hymn (The Divine Companion, 1701)

H. Purcell : Voluntary on Old Hundredth, Voluntary in G

D. Purcell : O Let My Mouth be Filled with Thy Praise

W. Richardson : Funeral Anthem for the Use of Charity Children (1729)

J. Reading : Psalm 8 with prelude and interludes (tune; St John’s, Hackney) , Psalm 100 with prelude and interludes (tune; Old Hundredth)

anonyme (?Blow) : Voluntary in G minor (No. 60)

- Londres St Botolph without Aldgate
- Disque SFZ music;, 2007, avec 2 sopranos et une basse

The organ at St Botolph's Aldgate in the City of London is a remarkable survival, one of the most reliable witnesses to the sound of English church music of the late 17th and early 18th centuries. It is the oldest surviving English church organ, and the only surviving organ by Renatus Harris. It was built about 1704, when Harris was paid for the Trumpets and Echos (now the Swell). Standing at the easternmost gate of the ancient City of London, the church had not been burnt in the great fire of London of 1666, but was in any case replaced by a new building in 1744, designed by George Dance, in a style similar to Christopher Wren's City Churches. The organ was put into store and re-assembled in the new church by John Byfield, Renatus Harris's son in law. The organ has been rebuilt and altered since then, but the Victorian additions were removed by NP Mander Ltd in 1966. The organ was in 2006 restored to its 1744 state by Martin Goetze and Dominic Gwynn, but with a small pedal organ.

5 - Timothy ROBERTS

• Keyboard Music, Vol. 2 •

J. Cabanilles : 24 pièces

- Vila-real Basilica Saint Jaume [1], Navalcarnero San Jose [2], clavecin [3]
- Disque Toccataclassics;, Mai 2017 [1], 20 août 2006 [2], 17 nov. 2015 [3]

organ of the Church of Sant Jaume, Vila-real, Valencia;
organ in seventeenth-century style by Gerhard Grenzing for the Church of San Jose, Navalcarnero, Madrid (2006);
harpsichord in seventeenth-century Flemish style by Michael Johnson
***
Tiento No. 65 lleno, de quinto tono

Tiento No. 109 de contras de ocho tono

Tiento No. 126 de clarines de sexto tono [partido de mano derecha, y de dos tiples]*

Verso No. 61 sobre Ave Maris Stella, de primero tono*

Tiento No. 4 partido de mano derecha sobre Ave Maris Stella, de primero tono*

Verso No. 62 sobre Ave Maris Stella, de primero tono*

Tiento No. 15 de falsas, de quinto tono

Tiento No. 97 partido de mano izquierda, de tercero tono*

11 versos de cuarto tono: No. 230*

11 versos de cuarto tono: No. 232*

11 versos de cuarto tono: No. 257*

11 versos de cuarto tono: No. 233*

11 versos de cuarto tono: No. 262 partido de dos bajos*

11 versos de cuarto tono: No. 277 de ecos*

11 versos de cuarto tono: No. 256*

11 versos de cuarto tono: No. 286*

11 versos de cuarto tono: No. 261 partido de dos bajos*

11 versos de cuarto tono: No. 267*

11 versos de cuarto tono: No. 231*

Tiento No. 42 partido de dos tiples, de cuarto tono*

Tiento No. 16 lleno, de quinto tono

Tiento No. 24 lleno, de ocho tono

Passacalles No. 4 de cuarto tono

Tiento No. 10 lleno, de tercero tono

6 - Timothy ROBERTS