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Eglise St-Tudy


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Organiste (prénom NOM)    Titre du disque
Compositeur (NOM) Oeuvre  Lieu / Eglise

Editeur
  4 disques  

 1 - Tineke STEENBRINK [2; 5; 6; 7; 8], Francesca AJOSSA [4], Jan HAGE [3], Lise MORRISON [1]
 • Slow Roads •
  • I. Vukosavljevic : The Ladder The Ladder [1]; When You Are Able To Become The Patterns Of The Earth [2]; Triptych [3]; Ramum Olivae [4]; Porete [5]; Echo (after Sweelinck) [6] ; The Ladder II [7] ; Psalm [8]
- Krewerd [1], Zeerijp Jacobuskerk [2; 7; 8], Oosthuizen [3], Midwolde [4], Kantens Antoniuskerk [5; 6]
- Disque Elsewheremusic, 2022
https://www.youtube.com/watch?v=uani_NDPi-o


'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljevic between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written in unmeasured notation, with bars removed and only rhythms and phrase contours suggested.

On this album, Vukosavljevic adopts a meantone temperament that echoes the sentiments of late medieval and Renaissance keyboard music, while valuing the contemplative aspect of the music, to create organ music as his own voice that resonates with the present time. Five of the eight pieces were performed by Tineke Steenbrink, co-founder of the Dutch early music ensemble Holland Baroque. Francesca Ajossa, Jan Hage and Lise Morrison performed one piece each.

”The Netherlands has one of the liveliest organ cultures in the world, which unfortunately doesn’t communicate too much with the culture of contemporary music, and vice versa. There exist certain categories with borders that are not crossed too often. However, with this organ album I was excited to fully immerse myself in everything that surrounds the organ culture in the Netherlands, in the hope that I would come up with something new and of value.”

“The breath of pipes, the growl at the very entrance of a note, the richness of sound of a single pipe…these have been eliminated in later organ construction, but are everything that draws me into its sound world.” – Ivan Vukosavljevic

 2 - Wolfgang ZERER
   • Renaissance and Baroque music at the 1664 Huis organ in Kantens •
  • J. P. Sweelinck : Toccata in C SwWV 283; ‘Mein junges Leben hat ein Endt’ SwWV 324, Echo Fantasia in d SwWV 261 (
  • G. Frescobaldi : Capriccio sopra ut, re, mi fa, sol, la (aus ‘Il primo linro di Capricci’, 1624)
  • J. K. Kerll : Toccata V in C; Canzona III in d
  • C. Erbach : Canzona octavi toni ; Toccata secundi toni
  • H. Scheidemann : Praeambulum in d WV 34, ‘Komm heiliger Geist, Herre Gott’ WV 80; Praeambulum in d WV 33
  • J. J. Froberger : Toccata VI (da sonarsi alla Levatione) (aus dem Buch von 1649)
  • S. Scheidt : Cantio sacra ‘Warum betrübst dich mein Hertz’ (aus de ‘Tabulatura nova Teil I’)
- Kantens Antoniuskerk
- Disque Orgelcommissie Kantens WZK 2014, 2014
orgue reconstruit en 1986 et 2007 par Jürgen et Hendrik Ahrend (avec Cor Edskes).

http://www.groningenorgelland.nl/index.php?item=wolfgang-zerer-in-kantens-_nieuw__&action=article&aid=16&lang=NL


avec registrations :
https://www.youtube.com/watch?v=erSpQj8qD6Q

 3 - Vincent van LAAR
 • Orgels in Nederland (20 cd’s) •
  • J. P. Sweelinck : Ballo del Granduca
  • V. van Laar : Improvisation « Komm , Gott Schöpfer »
- Kantens Antoniuskerk
- Disque Debanier;, 1986-1999 CD

 4 - Pieter DIRKSEN, Pieter-Jan BELDER, Bob van ASPEREN, Leo van DOESELAAR, Reitze SMITS, Marieke SPAANS, Harald VOGEL, Alexander WEIMANN, Bernard WINSEMIUS, Gustav LEONHARDT
   • The Complete Keyboard Works •
  • J. P. Sweelinck : Intégrale de l'oeuvre pour clavier
- clavecin, Lemgo Marienkirche, Uttum Reformierte kirche, Alkmaar Laurenskerk, Osteel Warnfriedkirche, Kantens Antoniuskerk, Leiden Pieterskerk
- Disque Glossa;, 1971-2014, Gesualdo Consort Amsterdam, dir. Harry van der Kamp, 6CDs, (643)
https://jpsweelinck.nl/deel-iv-de-orgel-en-klavecimbelwerken/

“Schwalbennest” organ (Kirche Sankt Marien, Lemgo, Germany)
16th/17th century organ (Reformierte Kirche, Uttum, Germany)
Jan van Covelens organ (Sint-Laurenskerk, Alkmaar, Netherlands)
Edo Evers organ (Warnfriedkirche, Osteel, Germany)
Hendrick & Johannes Huis organ (Antoniuskerk, Kantens, Netherlands)
Galtus & Germer van Hagerbeer organ (Pieterskerk, Leiden, Netherlands)
Transept organ (Oude Kerk, Amsterdam, Netherlands)

Andreas Ruckers harpsichord (1637. Germanisches Nationalmuseum, Nuremberg, Germany)
Artus Gheerdinck virginal (1605. Germanisches Nationalmuseum, Nuremberg, Germany)
Andreas Ruckers harpsichord (1637. Germanisches Nationalmuseum, Nuremberg, Germany)
Hans Ruckers virginal (1604. Dordrecht, Netherlands)
Ioannes Ruckers harpsichord (1639. Schloss Ringenberg, Hamminkeln, Germany)
Rainer Schütze harpsichord (1961, after Ruckers. Amsterdam, Netherlands)


**
Leo van Doeselaar & Harald Vogel play Sweelinck at the organ of Leiden Pieterskerk
https://www.youtube.com/watch?v=_DjkAlSRiM0

Wir glauben all an einen Gott
0:00 Die LXXXIII. Melodey, a 4 (Jacobus Praetorius, 1586-1651)
1:24 3 Variations, swwv 316
10:46 Toccata a3 - à 4 Voc, swwv 298
12:49 Fantasia d4 - [à 4: Echo], swwv 261
Leo van Doeselaar

Jesus Christus unser Heylandt
17:04 Die XLIIII. Melodey, à 4 (Joachim Decker, c.1575-1611)
17:49 5 Variations, swwv 306
25:58 Fantasia a2 - à 2, 3: et 4 vocem, swwv 274
Harald Vogel

  4 disques  


Source: base de donnée discographique Alain CARTAYRADE
www.france-orgue.fr
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