Base discographique   Concerts   Histoire   Contact  Nouveau CD Odile BAILLEUX [1]   Base discographique - Prochain concert - Aujourd'hui Lundi 14 Juillet Metz (57) cathédrale   Concerts   Jour de l'Orgue   Médias   Master classes   Concours   Colloques   Evénements   Concerts historiques   J S BACH   Liens   Data Base   Base de datos   Buscar   Nuevo     Organistas     Compositores     Instrumentos     Editores     Informaciones     Contact   Organista (Nombre Apellido)    Título de la grabación Compositor (Nombre) Pieza  Ciudad / Iglesia CD   DVD   Vinilo Editor   4 discos    1 - Hampus LINDWALL   H. Lindwall : Brace for impact; Swerve ; A bruit secret ; AFK; piping - Düsseldorf-Oberkassel Antoniuskirche - Disque Ideologic Organ, août 2024 orgue Muhleisen. https://ideologicorgan.bandcamp.com/album/brace-for-impact Electric guitar by Stephen O’Malley, recorded by Hampus Lindwall at Pôle Nord Studio, Paris, June 2022 Additional guitars by Hampus Lindwall ”'Brace for Impact' is a match of arm wrestling between the organ and the electric guitar, two instruments that are separated by a huge historic gap, but united in their force and energy. The piece is inspired by both Xenakis and 90s metal, and the guitars performed by Stephen O'Malley, founding member of SUNN O)))” And from the liner notes by Robert Barry, ”It’s an electrifying piece of music, slapping the listener round the face straight out of the gate at the start of the record. But it’s also a deft study on the uneasy relation between analogue curves and digital steps.”  2 - Martin SCHMEDING      G. Becker : Intégrale - Drei kleine Orgelstücke (1978); A la mémoire de Josquin (1975); Interpolationen (1993); Meteoron für Orgel, Schlagzeug und zweikanaliges Tonband (1969) - Düsseldorf-Oberkassel Auferstehungskirche - Disque Cybele; SACD 060 701, 2009, C. Roderburg ( Schlagzeug) (650) Sauer Orgel (2004) – III/65  3 - Martin SCHMEDING      T. Medek : Wandlungs-Passacaglia (Passacaglia of Transsubstantiation, 2001); B-A-C-H, Vier Töne für Orgel (B-A-C-H, Four Tones For Organ,1973); Verschüttete Bauernflöte (Buried Rustic Flute, 1969); Quatemberfeste für Orgel (Ember Days, 1989) Lambertussingen – Der Turmbläser – Engelecho – Schnurrpfeifereien; Gebrochene Flügel (Broken Wings, 1975); Rückläufige Passacaglia (Retrograde Passacaglia, 1979) - Düsseldorf-Oberkassel Auferstehungskirche - Disque Cybele;, 2008 Tilo Medek's (1940-2006) first works for organ, “Verschüttete Bauernflöte (1969)“ (buried rustic flute) and „B-A-C-H, Vier Töne für Orgel (1973)“ (Four Tones for Organ) were composed for the large organ at Merseburg Cathedral, and were inspired by its sound. Originally, the composition and the tonal character of the organ (which was constructed from 1853-1855 by Friedrich Ladegast using Baroque registers) was profoundly altered following comprehensive restoration by Kühne & Co. in 1963. In the process, Kühne replaced the typical Romantic stops, i.e. free reeds and numerous string registers, with Neo-Baroque pitches (high flutes like the rustic flute 1' in the pedal, Aliquot as well as mixed registers). Without passing judgement on these changes, it is important to emphasize that these colourful, even bizarre overtone mixtures and fundamental tones in the string colours are typical of Medeks early oeuvre. Medek's early works for the organ have another element in common: they experiment with sound and forms of notation. By switching the motor on and off, and half pulling off rows of register, he achieved microtonal sounds and variations of those tones. He confronted traditional methods of notation and values in this manner, with a variety of forms of free notation (i.e. spatial notation, graphic symbols and cluster-notation).  4 - Martin SCHMEDING      O. G. Blarr : Orgelsinfonie ”Der Lobende”, Heilendes Wasser (2004, 2005), Holy Tango II - Düsseldorf-Oberkassel Auferstehungskirche - Disque Ars;, 2007, vol. 3 Europa-Orgel Felix Mendelssohn (2004) par W. Sauer   4 discos   Fuente: base de datos discografica Alain CARTAYRADE www.france-orgue.fr   Version imprimable   Version smartphone     © Alain Cartayrade 1999 - 2025