| Undertones of War - British organ and vocal music after 1918
- B. Harwood : Diapason Movement (1935)
- W. G. Alcock : Voluntary I from set of twelve (1925)
- R. R. Terry : Highwood (Hark, What a Sound) (1912)
- C. V. Stanford : At Eventide, from Six Occasional Preludes (1921)
- J. Ireland : The Holy Boy (1913)
- A. Gray : Andante grazioso for organ (1922)
- Peter Warlock/Philip Hesletine : Adam lay ybounden (1923)
- T. F. Dunhill : Canticum Fidei, from Three Chiddingfold Pieces, Op 60a No 1 (1922); The Warrior’s Daughter, from Three Rheingold Pieces, Op 60a No 2 (1922); The Vision of Richard Peyto, from Three chiding Pieces, Op 60a No 3 (1922)
- E. Poston : Christmas Day (1967)
- N. Fulton : Released by Love (1967)
- R. Vaughan Williams : The Call, from Five Mystical Songs (1906)
- A. Rowley : Three Quiet Preludes for organ; Modal Prelude, Chromatic Prelude, Diatonic Prelude (1937)
- G. T. Shaw : Ring out, ye crystal spheres (1932)
- Camberwell Our Lady of Victories Basilica - Disque ARS ORGANI RECORDINGS AOR004, 2022, Elizabeth Barrow (soprano), Brigette De Poi (mezzo-soprano), Emily Tam (mezzo-soprano), Leighton H. G. Triplow (tenor), James Emerson (bass)
https://www.youtube.com/watch?v=w-oeJt-qd-I&list=OLAK5uy_l8SCJ5gRBRfjOeaoT9c1fgoW12Ipx3-co |
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